epson perfection v500 photo color scanner review

SilverFast Ai Kodak Max 400 AutoSharpen Auto Adjust 48->24bit Color Adobe RGB to sRGB With this new reference point, let’s proceed again to doing more scans… SilverFast Ai – Transparency Negative Scan ModeĬanon EOS 3 w/ 24-105mm - f/22 for 1/60 sec with Kodak UltraMax ISO 400 While I wouldn’t call this perfect, it is a technically accurate portrayal of this scene under the shooting conditions (it was cloudy and dark). In-camera processing (in the mouse-out shot) does some of those things automatically to give you the best result possible, but you can see from the faithful raw above (mouse over) that it’s not a huge difference. As you can tell this image is quite a bit darker but the image is rich, the noise is non-existent and the image is very sharp. In the first part of the article I showed what Costco gave me for prints from my film, and as another point of comparison the image above shows what the Canon 5D Mark II captured. Raw to sRGB JPEG 12 Conversion in DPP 3.9įaithful Pure Raw (hover) vs Camera Settings Raw (Mouse Out) Canon 5D Mark II Digital SLR In-Camera JPEGĬanon 5D Mark II w/ 24-105mm - f/22 for 1/60 sec ISO 400 – 35mm focal length

In Part II I’m covering the challenge of scanning film negatives in SilverFast Ai software included with the V750 and using a reference digital SLR photo to highlight the differences. If you are just starting to read my Epson Perfection V750-M Pro Scanner review, please start by reading REVIEW: Epson Perfection V750-M Pro Scanner –Part I. 35mm Slide Holder (one of many holders included)

Epson perfection v500 photo color scanner review